In Defense of the Humanities Again and Again and Again

And Yet Again

NOT!

Over at Crooked Timber they’ve been hassling yet another Martha Nussbaum defense of the humanities. Though I know of her defense work, I’ve not read any of it, so I don’t really know whether the hassling is just.

But I’m going to believe it is. ‘Cause I’m tired of these defenses of the humanities. They’re so lame and predictable. In fact, I’m wondering whether or not it’s the humanities that’re IN FACT being defended.

Maybe the defense of the humanities has been USURPED INTO defending olden times. So, the defender doesn’t really like any of this new-fangled stuff, including the internet and all, but they don’t want to go after that directly. Instead, they defend the humanities.

And then . . .

One notion you find in defenses of the humanities is that we need to see the world whole. I agree. We need DO to see the world whole. Now more than ever. The arts do this in a way. So can the discursive humanities.

But we don’t need the old discourses. We need new discourses. 21st century discourses. Beyond postmodern discourse, etc. And it seems to me that the defense of the humanities genre is pretty much owned by people who want to stave off the creation of new whole-cosmos discourses.

That ain’t right.

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Lawyers Using Bots to Hassle Busy People, or: How I had to waste time giving myself permission to quote and paraphrase myself, really

It’s all just so bleepin’ INSANE.

Here’s the deal. Two, no three, years ago a buddy of mine, who shall nameless so he’s not associated with this mini-quagmire, asked me to contribute a chapter to a book he’s editing on a subject near and dear to me. Fine. Glad to. So, over a year ago I put some of my work in progress online at The Valve, a group blog where I have privileges, in order to get feedback on my ideas.

Which I did. Thank you very much, interwebs.

Time goes by, I turn in my final chapter. My buddy likes it, his editor likes it. And then the publisher sends some bots out on the web to compare text in their book-in-progress to whatever’s on the web. What happens? My chapter gets flagged because, hey! some of my prose is out there on the web.

And you know why some of the prose in my chapter is out on the web you clueless bot-masters? Because I put it there! That’s why.

Anyhow, my buddy sends me a note explaining the situation and asking me to send him a note explaining that, yes, I put that stuff out there on The Valve. Here’s my exact message: “Some of the prose in my [name redacted to protect the innocent] chapter first appeared online at The Valve — where, for example, I’m quoting [some worthy]. So I’m just re-using my own prose.”

My buddy passed that on to his handlers and we figured that was the end of it. But, no, not good enough. His handlers got back to him, this time with the very passages the bots had swiped from the web. Continue reading

It’s infectious

Nina Paley is the creator of Mimi & Eunice and is unleashing them on the world under a copyleft license.

Breaking the Primacy of Print

From a post by Karen Hellekson at Organization for Transformative Works:

…lots of academics who might otherwise submit to TWC find that they ought not, because their university has rules that online-only publications do not count for promotion and tenure.

What’s up with that? Does your institution have such an idiotic rule?

That settles it

Nina Paley is the creator of Mimi & Eunice and is unleashing them on the world under a copyleft license.

Representative gov’t as well

Nina Paley is the creator of Mimi & Eunice and is unleashing them on the world under a copyleft license.

All IP iz mine! sayeth the Big Monopolist

Nina Paley is the creator of Mimi & Eunice and is unleashing them on the world under a copyleft license.

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